Vol. 7, Issue 1, Part B (2025)

The Romantic Movement, which emerged in the late 18th and early 19th centuries, marked a radical departure from the Enlightenment’s focus on reason and empirical knowledge. Instead, it emphasized the importance of emotion, individual experience, intuition, and the transcendental aspects of nature. These themes are particularly evident in the poetry of William Wordsworth, who is considered one of the central figures of the Romantic era. Wordsworth’s works, most notably his nature poetry, reflect the key ideals of Romanticism, particularly the belief in nature as both a source of personal renewal and a medium for self-exploration. This paper explores how the broader philosophical and aesthetic shifts of the Romantic period influenced Wordsworth’s portrayal of nature in his poetry. Through a detailed analysis of seminal works such as Lines Composed a Few Miles Above Tintern Abbey, I Wandered Lonely as a Cloud, and The Prelude, this paper illustrates how Wordsworth’s relationship with nature evolved from a purely physical experience to one that was deeply philosophical and spiritual. By examining the intersection of personal memory, natural imagery, and Romantic ideals of the sublime, this paper argues that Wordsworth’s nature poetry is not only a reflection of his personal experiences but also a broader expression of Romanticism’s core values—emotion, individualism, and the quest for transcendence. In addition, the paper positions Wordsworth’s nature poetry as a critical part of the Romantic movement’s legacy, influencing subsequent generations of poets and providing a lasting framework for the expression of personal and emotional truth through nature. Ultimately, this study highlights the ways in which Wordsworth’s work exemplifies the philosophical and aesthetic transformations of his time, particularly his ability to weave together nature and the self in a manner that continues to resonate with readers today.